Michelle Farro Studio: The Gift Guide

Christmas is just about here! I've compiled a small gift guide for you, and I hope this offers some thoughtful last minute suggestions. The last day to order for holiday delivery is December 17th. I hope you have a great Christmas and New Year. Thank you for following along with my art journey, and see you in 2022!

Stocking Stuffers

Rubber stamps are my tiniest offering! The original designs are made by drawing and hand-carving the image, and I work with a production partner to create a top quality, laser engraved final product. You can find anything from animals to pop-culture references. I think this would be a great option for anyone in your life who is into crafting or stationery.

For the Dolly Parton Lover

I think it’s safe to say that we all have a Dolly Parton lover in our life. I did a few paintings of her last year and have a some fun offerings with the imagery, including the t-shirt and print pictured here.

Beautiful Reproductions

Giclee prints are a great approachable way to add artwork to your space. I like to have prints made after an original piece has sold, and I work with a few local print shops who make beautiful reproductions. The prints are archival and the capture the color and texture of the original pieces. I offer standard sizes that are easy to frame, and you can find a variety of subject matter.

Woodblock Prints

There is no doubt that buying original art as a gift can be a tricky endeavor. That being said, I feel like you can’t go wrong with an original print. In all of my years of making art, woodblock prints have received perhaps the most positive responses across all types of people. My theory is that it has something to do with the handmade aspect along with the more graphic, bold imagery of the medium. The vibe fits many different home decor styles.

Original Paintings

I love that paintings can transport us to different places, times, and memories. When you are buying an art gift for someone else, consider the feeling you’d like to convey. When you see the right piece of art, you will just know! Another idea is to start the search by considering the subject matter, like figures, landscapes, or still life.

SFA Projects: Home Sweet Home | A Group Exhibition in New York City

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September 29th, 2021 – October 23rd, 2021
OPENING RECEPTION: Wednesday, September 29th, 6pm–8pm
Gallery Hours: Fri-Sun, 1pm-6pm (and by appointment)
131 Chrystie Street, New York, NY 10002

ARTISTS: JORDAN BUSCHUR, PETEY BROWN, MICHELLE FARRO, NATSUMI GOLDFISH, ELIZABETH REAGH

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“Perhaps home is not a place but simply an irrevocable condition”
— James Baldwin, Giovanni’s Room

FROM THE GALLERY: This exhibition seeks to present the home as a connection to family and to our soul. A home is more than simply a house or an apartment; places, favorite belongings, and people may conjure the concept of home by bringing comfort, memories and happiness. Home may be the memories we can carry with us anywhere.

I’m honored to have my work included in this group exhibition along with four other talented artists. The concept of home and memory resonates with me as I am often working from old photographs, observation, and my personal memories. The two paintings pictured below were chosen for this exhibition- one is about the celebratory gathering of an Italian immigrant family, and the other about hunting dogs, the ideas for each image both rooted in the early 20th century on the East coast.

If you can make the event opening on September 29th, I would love to see you in person. For those who cannot physically see the show, you can view the other works from the exhibition here.

Golden Anniversary, oil on canvas, 24 x 30”, purchase

Golden Anniversary, oil on canvas, 24 x 30”, purchase

Tally-Ho, oil on canvas, 24 x 28”, purchase

Tally-Ho, oil on canvas, 24 x 28”, purchase

My Backyard Art Studio

My art studio, converted from an old shed.

My art studio, converted from an old shed.

I got my first real studio while studying painting in art school, something given to students in their final year. It was an old building in Laguna Canyon, quaint in size but large enough to fit the senior class of fifteen or so students. Prior to this I usually painted in a small corner of my home, and the quiet hum of artists all trying to figure it out was a welcomed change.

After graduating, I worked my way through a number of canyon spaces that were rustic but romantic in a California way, like an outdoor storage room and a series of garages that had likely been around since Laguna’s hippie artist colony days. Years later in Nashville, I found myself in an extra bedroom, community shared studios, and then a converted mill building. This was the first place I shared with the public, through both studio visits and a curatorial project exhibiting the work of artists I knew. That studio, I was most sad to leave of all.

Three years ago, I departed Nashville for New Jersey. I moved to my family’s home in a rural part of the state near the coast, and a forgotten shed building caught my eye as a potential studio. It was overgrown with plants and filled to the ceiling with the things that tend to accumulate in sheds. I spent a few months removing debris, replacing rotting walls and floors, and adding new windows and a door along with insulation. The end result was somewhat rough but suiting for my needs which revolve around good natural light and a quiet atmosphere. 

Funnily enough, as I write this I have just a few days left of working in this studio before I move to the next one. If you’ve seen my paintings and prints in the past few years, it most likely happened here. I love thinking about all of the different ideas that were turned into woodblock prints and canvas paintings in this space, along with the hundreds of minutes I spent meditating while lying on the blue painted floor. With that, I welcome you to my studio.

The Before Photos

The After Photos